THE UNSUSTAINABLE LINEARITY OF THE INDIAN FASHION INDUSTRY

Photo by Viktor Forgacs on Unsplash

BY BHAWNA VIJ

Fashion industry is said to be the most polluted in the world, after oil. The Indian textile & apparel industry is one of the largest exporters, contributing to 10% of our GDP and employing 45 million people.[1] Indias domestic apparel market is projected to be $60 B by 2022, making it the sixth largest in the world. Cellphone ownership in India has crossed 500 million and close to 900 million people are estimated to be online by 2021. The Indian middle-class is said to expand @ 19% a year during 2018 to 2022 period.[2] These factors are instrumental in feeding a huge market for fast fashion brought mainly through boom in retail and ecommerce.

While Emerging economies tend to buy less clothes per person during a store visit than their counterparts in developed countries, research shows that on an average 60% more items of clothings are being purchased compared to 2014. A study conducted in UK in 2012 revealed that a third of the clothing ends up in landfills while many others are completely unworn.[3] While 15 million tons of footwear, clothing and other non-durable textiles products were generated in USA in 2013, only 2.3 tons were recovered for reuse.

India with its fragmented markets, loose regulatory control[5] and lack of education in fashion sustainability, has more complex challenges than its developed counterparts. Take for example, the Delhi municipalitys frail attempts to keep its landfills from overflowing. With world textile tonnage of over 30 million per year[4]; and India poised to transition to a fashion consumer market along-with its traditional role as a supplier of textiles, the future picture could be disastrous, at best.

Indian fashion industry follows a linear cradle-to-grave approach. To create a circular solution, we would first need to identify the level of awareness, commitment, motivations and barriers to the sustainable practices followed in Fashion Retail industry. 

Photo Credit: Businessoffashion

Post liberalisation in India, we have subconsciously imported a throwaway culture influenced by foreign media of developed world lifestyles based on overconsumption and obsolescence[7]. While the developed countries focus on healthy sustainability as a redemption of their over-consuming lifestyle, we embrace their outgrown attributes as an outwardly projection of development.

Sustainability has been on the mind of the world since the 1972 UN Stockholm Conference on Environment.  Indias fashion industry adopted a sustainability resolution (SU.RE) in August 2019 with 16 of top clothing brands, supported by the Clothing Manufacturers Association of India (CMAI) and the United Nations. They pledged to source sustainable raw materials which are traceable; and maintain a sustainable supply chain along with effective consumer communication.[6]

Indian fashion industry follows a linear cradle-to-grave approach. However, internationally, organisations such as WRAP and Ellen MacArther Foundation have understood the importance of circularity and are looking for solving the problem of zero waste and resource mismatch by transitioning towards a circular model.[8] To create a circular solution, we would first need to identify the level of awareness, commitment, motivations and barriers to the sustainable practices followed in Fashion Retail industry. 

Photo Credit: Priya Ahluwalia/Sweet Lassi

Before looking for Solutions, it is imperative that we identify the problems (social and environmental) created by the Indian fashion industry:

Water for Cotton

Cotton is widely used in fashion all over the world. It is a very thirsty crop. It needs a specific kind of soil which is present mostly in Maharashtra region. It uses large quantity of land, large quantities of water, insecticides and nitrogen rich fertilisers which increase soil acidity. Growing cotton in parched Maharashtra region with frequent droughts, creates an existential crisis for farmers. India is also the top exporter of natural materials such as cotton and cotton products, therefore while the consumers might be located in another country, we are directly suffering from ecological destruction. We are today facing medium to high water level stress in some parts of our country.

Dyes

Adding rips or tears to jeans by application of chemicals, discharge of hazardous chemicals into rivers/water courses, all lead to water and soil pollution. According to Ellen Mac Arthur foundation, twenty percent of industrial water pollution worldwide is due to chemical processes during dyeing or treatment of textiles.

Overconsumption & Overproduction

With world population to exceed 8 billion in the coming decade, the fashion industry is poised to expand. According to a report- Fixing fashion: clothing consumption and sustainability, by the UK parliamentary committee:

The Pulse of Fashion report projects that by 2030 global apparel consumption could rise by 63%, from 62 million tons today to 102 million tonsequivalent to more than 500 billion additional T-shirts. Concurrently, soaring demand for apparelmuch of it from developing nationswill see the annual retail value of apparel and footwear reach at least 2 trillion by 2030 (an over 30% increase of 500 billion between now and then).

Aspiring lifestyles in India follow western fashion pattern and the concept of choice and selection over sufficiency, fashion obsolescence renders garments unusable despite a condition of the garment. Production of variety leads to excess of fashion production and many seasons in rotation, to keep the industry going. This is clearly a case of production over-stripping demand.

Credit: Swapan Photography/Shutterstock

Retail System

Modernretail has grown worldwide over the last fifty years and exploded in India since the last twenty. The mall culture which has stepped into Indian retail since two decades has brought about energy waste due to lighting, air-conditioning etc. Achieving a great experiencebased retail, comes at a cost of excess energy consumption, wastage of space, excessive display and production of merchandise. The price of this excess is paid directly by consumers and indirectly by the society.

Packaging

Growth of retail has a direct impact on the growth of packaging. The packaging industry provides primary, secondary and tertiary packaging for safety of product during transport and distribution. The entire Ecommerce fashion retail industry fed by the digital revolution and deep penetration of mobile internet makes shopping accessible to all areas of India, with the rural market expected to boom. Products shipped to buyers are therefore covered in layers of protective packaging, many of which might not be biodegradable or recyclable. Price competition leads to cost reduction, which might manifest in the use of single use plastic packaging. That the disposal of this packaging is at the end of the consumer, shifts the entire responsibility of manufacturers and retailers to the end fashion consumer; sometimes unaware of the implication of proper disposal.

To fight climate change, we need to not only curb emissions, or go eco friendly and organic with fair trade purchases. We need to curb our desire for more than what is essential. We next need to produce as much is sufficient. We need to start wanting less, better and longer lasting fashion. Let us not rob the future generations of their desire to experience fashion, by over-consuming today.

References

1. Texmin.nic.in. 2019. Annual Report | Ministry Of Textiles | Goi. [online] Available at: <http://texmin.nic.in/documents/annual-report> [Accessed 17 March 2020].

2. McKinsey & Company. 2020. The State Of Fashion 2019: A Year Of Awakening. [online] Available at: <https://www.mckinsey.com/industries/retail/our-insights/the-state-of-fashion-2019-a-year-of-awakening> [Accessed 17 March 2020].

3. Wrap.org.uk. 2020. Valuing Our Clothes: The Cost Of UK Fashion | WRAP UK. [online] Available at: <http://www.wrap.org.uk/sustainable-textiles/valuing-our-clothes%20> [Accessed 17 March 2020].

4. Chen, H. and Burns, L., 2006. Environmental Analysis of Textile Products. Clothing and Textiles Research Journal, 24(3), pp.248-261.

5. Garg, Y. and Hada, J., 2014. Slow Fashion: A Strategic Approach For Sustainable clothing in India. In: International Conference on Emerging Trends in Traditional & Technical Textiles.

6. Pib.gov.in. 2019. Union Textiles Minister Launches Project SURE On Sustainable Fashion Day At Lakmé Fashion Week. [online] Available at: <https://pib.gov.in/PressReleaseIframePage.aspx?PRID=1582685> [Accessed 17 March 2020].

7. Boone, T., 2009. Sustainable Fashion and Textiles: Design Journeys by Kate Fletcher (Earthscan, 2008). Fashion Practice, 1(2), pp.271-274.

8.Ellenmacarthurfoundation.org. 2017. A New Textiles Economy: Redesigning Fashion’s Future.[online] Available at: <https://www.ellenmacarthurfoundation.org/assets/downloads/ publications/A-New-Textiles-Economy_Full-Report.pdf> [Accessed 17 March 2020].

ABOUT THE AUTHOR

BHAWNA VIJ

Graduating from the first batch of Accessory Design of the present Delhi NIFT campus in 1997, Bhawna Vij has been teaching design for the last 20 years. Passionate about both design & teaching, she founded “You Can Sketch” in 2016. Having lived in five states of India over the last 10 years, she has held design workshops in Mumbai, Calcutta, Goa, Delhi and even Pathankot, in Punjab! She is a member of the worldwide body of Union of Concerned Fashion Researchers. Currently her interests revolve around pursuing doctoral studies in business, circularity & sustainability; and taking care of her pet cat.

Spread the Word!

Leave a Comment

Your email address will not be published.